Unfortunately, there is a bit too much juggling - cups, hats and batons all fly around the stage at various times. While entertaining enough, it can get a little repetitive. The clown is also a bit lame, as is a hackneyed magic trick when a girl disappears from inside a locked box and later reappears topless with a beard. There are also a couple of pedestrian audience participation sections, which only serve to break the spell. Still, the high tempo music is very immersive and many of the acts are truly captivating. Moreover, some of the acting is pleasingly subtle. Some of the muscular male performers use minimal facial expressions and nods of the head to convey their emotions. But in the intimate confines of the Spiegeltent, you can pretty much see it all. Produced by Canada's Cirque Alfonse, Barbu isn't quite as good as Limbo, but it does deliver a memorable night out. 8/10
Monday, 29 August 2016
Barbu, the South Bank, Central London
Unfortunately, there is a bit too much juggling - cups, hats and batons all fly around the stage at various times. While entertaining enough, it can get a little repetitive. The clown is also a bit lame, as is a hackneyed magic trick when a girl disappears from inside a locked box and later reappears topless with a beard. There are also a couple of pedestrian audience participation sections, which only serve to break the spell. Still, the high tempo music is very immersive and many of the acts are truly captivating. Moreover, some of the acting is pleasingly subtle. Some of the muscular male performers use minimal facial expressions and nods of the head to convey their emotions. But in the intimate confines of the Spiegeltent, you can pretty much see it all. Produced by Canada's Cirque Alfonse, Barbu isn't quite as good as Limbo, but it does deliver a memorable night out. 8/10